In the novel Locus Solus, by Raymond Roussel, a group of curious people tour the palace and gardens of the inventor and eccentric collector Canterel. Of his inventions, two particularly attract attention: resurrectin and vitalium, substances that resurrect the dead.
\nThis piece is a second approach to the theme of the evanescence of memory, in particular, to the obsolescence of record systems and ordering systems: archives. Based on some records of recordings – 31 copies of cassette tapes taken from the house of the late musician V\u00edctor Nubla – we propose to subvert the archive, alter it, even falsify it, to question certain logics of preserving memory and being able to bring back to life, as resurrectine and vitalium do, fleeting signs, traces that are confused, mixed and crossed with other desires and mnemonic activities. What we are interested in exploring is the fact of extracting something from an archive or microcosm and how these elements can configure a new discourse, another context: a future.<\/p>\n
Escenes, L’Auditori’s proposed meeting between artistic disciplines, has commissioned this show taking as its discursive thread the artistic narrative “death or return”, which inspires the 2022-2023 season.<\/p>\n
This project began in 2022, the result of a partnership between the Museu de la M\u00fasica, El Graner- F\u00e0brica de Creaci\u00f3, Gr\u00e0cia Territori Sonor and Constanza Brn\u010di\u0107 and her artistic team, within the framework of the ICUB’s Creation and Museums programme, and was presented in a first piece at Espai 5 of L’Auditori in the context of the Greek Festival 2022.
\nIn this second piece, the research started at the time on the archive, memory and the evanescence of material supports has been continued.<\/p>\n
Constanza Brn\u010di\u0107, director<\/p>\n
Artistic collaborators:
\nBlanca Tols\u00e0, dancer and choreographer
\nAlfredo Costa-Monteiro, musician and poet
\nTrist\u00e1n P\u00e9rez-Mart\u00edn, video producer and photographer
\nBeatriz Gonz\u00e1lez Magad\u00e1n, artistic concept and director’s assistant
\nAdri\u00e0 Juan, Constanza Brn\u010di\u0107 and Beatriz Gonz\u00e1lez Magad\u00e1n, lighting and scenery
\nB\u00e0rbara Raubert, artistic guidance
\nAriadna Miquel, producer<\/p>\n
Agra\u00efments: Mar\u00eda Vadell i l\u2019equip de Gr\u00e0cia Territori Sonor,\u00a0 Sara Ojanguren, Albert Tola,\u00a0 Roberto Fratini.<\/p>\n
SALA 3 – TETE MONTOLIU<\/p>\n","protected":false},"excerpt":{"rendered":"
In the novel Locus Solus, by Raymond Roussel, a group of curious people tour the palace and gardens of the inventor and eccentric collector Canterel. Of his inventions, two particularly attract attention: resurrectin and vitalium, substances that resurrect the dead. This piece is a second approach to the theme of the evanescence of memory, in […]<\/p>\n","protected":false},"author":2,"featured_media":3248,"template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":""},"tags":[],"mec_category":[1922],"mec_speaker":[1923,1924,1925],"class_list":["post-3250","mec-events","type-mec-events","status-publish","has-post-thumbnail","hentry","mec_category-museu-de-la-musica-en"],"yoast_head":"\n