{"id":3219,"date":"2023-01-18T10:47:40","date_gmt":"2023-01-18T10:47:40","guid":{"rendered":"https:\/\/freeimprobarcelona.com\/?post_type=mec-events&#038;p=3219"},"modified":"2023-03-10T11:31:00","modified_gmt":"2023-03-10T11:31:00","slug":"le-retour-de-lecoute-m-donedale-quan-ninhn-andorrat-chant","status":"publish","type":"mec-events","link":"https:\/\/freeimprobarcelona.com\/en\/calendar\/le-retour-de-lecoute-m-donedale-quan-ninhn-andorrat-chant\/","title":{"rendered":"LE RETOUR DE L&#8217;\u00c9COUTE M.DONEDA+L\u00c9 QUAN NINH+N.ANDORR\u00c0"},"content":{"rendered":"<p>Discourse on Western music has long been based on three main cornerstones: the composer, the performer and the work. This \u2018holy trinity\u2019 was one of the breakaways that was proposed in the 20th century, sparking off a crisis on the subject of authorship by suggesting that it might be dependent on a combination of factors and hence calling into question whether authorship coincides with authority. The spotlight was thus turned onto role of the performer, often inviting them to act as a joint composer (as was typical with much pre-Baroque music) while also questioning the limits of a work (in particular, whether a \u201cscore\u201d should be regarded as the final object of creation). Improvisation and, above all, the use of the adjective \u201cfree\u201d have played a fundamental role in all this, with the creative act taking place as it is being listened to. Michel Doneda and L\u00ea Quan Ninh, a long-standing duo with a history spanning over 30 years, have developed a joint creative space based on an unorthodox approach to the act of listening, with no extra-musical narrative and the focus on pure sound. N\u00faria Andorr\u00e0, regular collaborator and leading name in musical improvisation in Barcelona, join forces with them, exploring the fragility of the moment through instant composition.<\/p>\n<p>Sala 4 Alicia de Larrocha<\/p>\n<p>Michel Doneda, saxophone<br \/>\nL\u00ea Quan Ninh, percussion<br \/>\nN\u00faria Andorr\u00e0, percussion<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Discourse on Western music has long been based on three main cornerstones: the composer, the performer and the work. This \u2018holy trinity\u2019 was one of the breakaways that was proposed in the 20th century, sparking off a crisis on the subject of authorship by suggesting that it might be dependent on a combination of factors [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3558,"template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":""},"tags":[],"mec_category":[397],"mec_speaker":[1891,1892,293],"class_list":["post-3219","mec-events","type-mec-events","status-publish","has-post-thumbnail","hentry","mec_category-cicle-samplers-sessions"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>LE RETOUR DE L&#039;\u00c9COUTE M.DONEDA+L\u00c9 QUAN NINH+N.ANDORR\u00c0 - Free Impro Barcelona<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/freeimprobarcelona.com\/en\/calendar\/le-retour-de-lecoute-m-donedale-quan-ninhn-andorrat-chant\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LE RETOUR DE L&#039;\u00c9COUTE M.DONEDA+L\u00c9 QUAN NINH+N.ANDORR\u00c0 - Free Impro Barcelona\" \/>\n<meta property=\"og:description\" content=\"Discourse on Western music has long been based on three main cornerstones: the composer, the performer and the work. 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